Neil Young - Comes A Time
Warner Brothers  (1977)
Folk-Rock

In Verzameling
#181

0*
CD    10 tracks  (37:16) 
   01   Goin' Back             04:42
   02   Comes A Time             03:07
   03   Look Out For My Love             04:06
   04   Lotta Love             02:38
   05   Peace of Mind             04:11
   06   Human Highway             03:10
   07   Already One             04:55
   08   Field of Opportunity             03:10
   09   Motorcycle Mama             03:11
   10   Four Strong Winds             04:06
Persoonlijke Gegevens
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Details
UPC (streepjescode) 075992723527
Verpakking Jewel Case
SPARS DDD
Geluid Stereo
Muzikanten
Guitar-Electric Neil Young
Vocals Neil Young
Vocals-Backing Nicolette Larson
Medewerkers
Producent Neil Young
Geluidsman Danny Hilly; David McKinley; Denny Purcell; Ernie Winfrey; Gabby Garcia; Michael Laskow; Mike Porter; Paul Kaminsky; Rich Adler; Tim Mulligan
Opmerkingen
Review by William Ruhlmann Six and a half years later, Comes a Time finally was the Neil Young album for the millions of fans who had loved Harvest, an acoustic-based record with country overtones and romantic, autobiographical lyrics, and many of those fans returned to the fold, enough to make Comes a Time Young's first Top Ten album since Harvest. He signaled the album's direction with the leadoff track, "Goin' Back," and its retrospective theme augmented with an orchestral backup and the deliberate beat familiar from his number one hit "Heart of Gold." Of course, Young remained sly about this retrenchment. "I feel like goin' back," he sang, but added, "back where there's nowhere to stay." Doubtless he had no intention of staying with this style, but for the length of the album, melodies, love lyrics, lush arrangements, and steel guitar solos dominated, and Young's vocals were made more accessible by being paired with Nicolette Larson's harmonies. Larson's own version of Young's "Lotta Love," released shortly after the one heard here, became a Top Ten hit single. Other highlights included the reflective "Already One," which treats the unusual subject of the nature of a divorced family, the ironic "Field of Opportunity," and a cover of Ian Tyson's folk standard "Four Strong Winds" (a country Top Ten hit for Bobby Bare in 1965).